Tag Archives: Art

The Day A Visionary Died

When visionaries come along, they are usually not always thought to be so when they hit the scene. Many times, once they do reach a certain level of stature or praise, they lose their vision.  We’ve seen it time and again in history. When the Beastie Boys came on the scene in a big way in 1986, most people didn’t know what to make of them as white guys in a rap world where most artists were not. People didn’t know whether to write them off as jokes or pay attention to them as real things – the fact that before their transition to rap, they were not doing to well on the punk scene. What ultimately helped them sustain, was the punk attitudes that they intertwined with their rap and hip-hop leanings. Over the course of the nearly 30 years since, they were masters at blazing new trails in music, art and video – and their creator and ringleader on the video and arts front was Adam Yauch (also known as MCA).  Sadly, he died today of Cancer. Luckily, Yauch was appreciated in his lifetime as a visionary and we are all the beneficiaries of his .

While the music the Beastie Boys created continued to evolve, it always maintained a consistent style.  Whether it was three rappers (Yauch, Adam Horovitz/Adrock, Michael Diamond/Mike D) with a turntablist, instrumentalist with a layer of quick staccato MCs on top or a multi-layered mix of original music, samples and thoughtful rhymes – you always knew you were listening to the Beastie Boys. While the styles might have shifted slightly, the core remained the same.

Their play within the art and video worlds ran along the same lines as their music – using styles that everyone knew and felt comfortable with and then adding their own layers on top to make their products as great as your uncles old cardigan that you used to snuggle with. Their spirit and attitude remained consistent and what may have first led you to ask, “are they for real?”, ultimately made you think that everyone other than them were just posing. And Yauch had a lot to do with that.

Though Yauch always seemed like the most subdued of the three to me, his work directing a large number of their videos (under his pseudonym, Nathaniel Hörnblowér) always seemed to push the boundaries of what was acceptable, but still seemed as right as a chill afternoon hanging with your best friends. The Beastie’s collection of music videos is the only music video set that has actually been released as part of The Criterion Collection.

Yauch used his position to do numerous things for the benefit of society and seemed to have no shortage of friends to help him pull these off.  Whether it was the organizing of benefit concerts to Free Tibet or end violence in New York City, he made the best use of his connections. Though I took some pride that he (and the rest of the boys) spent some quality time in one of my old neighborhoods (Atwater Village, Silver Lake, Los Feliz) it was clear what sway the five boroughs held on him and his cohorts. They’re love was greatly shown in their last few releases.

When someone has a vision like Yauch had when he first put the band together and then expanded with the creation of Oscilloscope Laboratories, the recording and film studio he started a decade ago, its hard not to want to be a part of it. Whether watching with envy the people selected for the crowdsourced Beastie Boys concert video he directed (Awesome: I F—in’ Shot That!) or the wonderment when watching all of the stars (i.e. Susan Sarandon, Stanley Tucci, Seth Rogen, Elijah Wood, Will Arnett, Ted Danson, Alicia Silverstone, Steve Buscemi, Mary Steenburgen, Kirsten Dunst, Jack Black, Will Ferrell, and on and on) he got to take roles in his long form video return to Fight For Your Right: Revisited (below), his presence, power and influence was clear and we can now only image what could have been.  At the end of Revisited (which clearly illustrates the consistency of the Beastie Boys brand – cool, irreverent, sense of humor), there’s a “To Be Continued: Check back in 25” years. I only wish we could.

RIP MCA, I’m sorry and Saddened that you left so soon…

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Culturally Crossed Fingers Surrounding Olympics Streaming

Last Wednesday marked the 100th day mark until the opening of the 2012 Olympics in London. The news was filled with announcements about the coverage on NBC in the US as well as other coverage announcements by other sports news outlets. Suffice it to say, there will be more opportunities to keep track of what’s going on that ever before. With NBC’s promise to stream 3500 hours of coverage live over the internet, access (and data usage) will be wide open. Hopefully, the excitement and engagement will equal the level of access.  It’s success in both content presentation and quality could provide key insights into the streaming possibilities for future events that are not as big as the Olympics. With that being said, I am still crossing my fingers for something connected to the Olympics but often overlooked – the Olympic Cultural Festival. I have tickets for the Olympics but I will not be able to attend any of the cultural events surrounding it – and that is what my fingers are crossed for, in terms of streaming.

Alongside every Olympics, the hosting nations present a large and varied cultural arts festival. These festivals not only present the opportunity to experience the arts in new ways – they provide a platform for artists to reach an audience in ways like never before. Perhaps even more than the actual Olympics, they give a clearer view into what the hosting country is all about.  As such, I want to see more. I’ve checked out the many of the 364 events that are promoted on the London 2012 Festival site with shows ranging from Art to books, to music, to food, to fashion dance and theatre with a bunch of other things sprinkled in.

Beyond the presenters and participants, larger organizations and companies are getting involved. Eurostar – one of the larger European train companies – is sponsoring a stage in Granary Square. Panasonic is sponsoring a program to bring young people into the art of filmmaking through “Film Nation: Shorts”. BP is causing a bit of a row with their participation due to concerns of gas/petrol and environmental issues, but I applaud them for their sponsorship of programs with the Royal Shakespeare Company, The National Portrait Gallery and the Tate Museum – mostly to engage younger audiences. And, BT is sponsoring a number of arts events with a series of music events at its core.

So, here’s where the rub is. If BT is the communications partner for both the Gamesandthe Festival. And, if they profess that they are “responsible for providing the communications services and infrastructure to make London 2012 the most connected Games ever, but it’s not just about the sporting action – we’re enabling people to have a fantastic London 2012 experience through music and art too.” Then, shouldn’t we be seeing some major announcements about their streaming of many cultural events on the internet and through mobile?

Perhaps its unfair to call out BT on this, but they seem to be most primed to make this happen and I guess this is now a plea for them (or anyone) to do so.  After seeing the artists at Coachella agree to have their performances streamed live, it seems a no-brainer for artists and organizations to do the same from the London 2012 Festival. Why not share something that is seemingly so fantastic?

Again, the Olympic Games themselves have some minor differences based on where they are hosted, but the Cultural Festivals that run alongside act as a true emblem of what the host country has to offer.  I’m fortunate because I am able to be in London often and get to experience this first-hand, but I know I’m part of the relative few who are able to. And I’m saddened that I can’t be there to experience one of the great by-products of the games.

Yes, I will enjoy the Olympics whether I am there or in Los Angeles watching, but the Festival makes it so much fuller. Wouldn’t this also set the ball rolling for future Festivals when technology is even stronger?  If the Gymnastics competition will be providing users the opportunity to view from a number of angles based on their choice, why can’t we take in some of the cultural events before and after?

I would say that somebody now has 93 days (til the Opening Ceremonies) to figure this out, but the official start date is actually June 21st (with many events already beginning.) Until the streaming cultural event announcements start coming, I don’t think I can risk holding my breath. But I can certainly cross my fingers.

Though Convenient, Bad Branding Cannot Be Written Off As Art

While driving around my neighborhood this morning, I noticed for the umpteenth time a wooden Ampersand and a solar cell next to it in a vacant lot on a corner.  It took this umpteenth time of seeing it to wonder what the heck it was for.  Upon doing some quick research online, I found that it is a marketing piece for a Shannon Ebner show at the Hammer Museum– it was really nothing except an opportunity to showcase how more thought should be put into some things.

It reminded me of a series of murals I saw all around Los Angeles a year or two ago.  It was a huge basic color image of the Statue of Liberty and a big 1969 on it.  There was no buzz around what they meant, which effectively left a question mark the size of the 8′ Ampersand in my head.  From the 1969, I thought it was possibly a Gap ad.  When that didn’t seem to be the case, I couldn’t even find anything doing a Google search when the murals were up.  I finally gave up on trying to find out what it was about.  Now that I was reminded of it, I did a search and found that it was either a political statement against the city’s newly enacted laws against supergraphic advertisements on the side of buildings or it was one guy’s version of art.

In either case, just being does not necessarily make it art.  In both cases, it seems that they were trying to convey either a political or marketing message and didn’t really succeed. 

When comparing to other large format or outdoor  installations of art – Shepard Fairey, Banksy, the 30 Gibson Guitar sculptures on the Sunset Strip or even Buffmonster.  They all make a clear statement or intimately relate to the location they are placed in.

These pieces induce more head scratching as they could have more clearly led people to its intention.  In the case of the murals, they certainly spent a bit of money on it.  With those kinds of impressions, a larger statement or movement could have been made if they had structured more of a campaign around it.  The ampersand is a little more forgiving as the LAXART site says explains the ampersand as “a conjoiner; it signals an incomplete thought and acknowledges that there is more to be said.”

They knew it was incomplete, but sadly, in both cases there was so much more that could have been said…